Needles and Pins is a 1973 United States comedic television series about a women’s clothing manufacturer and his employees in New York City that aired from September 21, 1973 to December 28, 1973.

Two Pints of Lager and a Packet of Crisps is a British comedy television series sitcom that ran from 26 February 2001 to 24 May 2011 and starring Sheridan Smith, Will Mellor, Ralf Little, Natalie Casey, Kathryn Drysdale and Luke Gell. Created and written by Susan Nickson, it is set in the town of Runcorn in Cheshire, England, and originally revolves around the lives of five twenty-somethings. In September 2007 Little confirmed in an interview on This Morning that he had left the series. The seventh series aired following a two year hiatus in 2008 with Little’s character being killed off in the first episode. Smith and Drysdale did not return for the ninth and final series with their departures being mentioned briefly in the first episode, Freddie Hogan and Georgia Henshaw were brought in as their replacements making Mellor and Casey the only original characters left in the series. Writer & Creator, Susan Nickson also left before the ninth series.

The core cast have been augmented by various recurring characters throughout the series, including Beverly Callard, Lee Oakes, Hayley Bishop, Alison Mac, Thomas Nelstrop and Jonathon Dutton. The show was first broadcast in 2001 on BBC Two. The title was inspired by the 1980 hit single “Two Pints of Lager and a Packet of Crisps Please” by Splodgenessabounds.

1600 Penn is an American single camera television comedy series about a dysfunctional family living in the White House.

A disgraced New York politician who was the city’s youngest city councilman in history until he was brought down by a public intoxication incident gets an opportunity to rebuild his life when he is hired by a group of immigrants who hope to become American citizens.

Follow best friends, Rhett & Link, as they embark on a fantastical misadventure in search of a missing phone that could save their morning talk show from a co-ex-girlfriend turned evil infomercial queen.

Reverend Granger is assigned as the Vicar of the rural parish of Dibley, but she is not quite what the villagers expected.

Mind Your Language is a British comedy television series which premiered on ITV in late-1977. Produced by London Weekend Television and directed by Stuart Allen, the show is set in an adult education college in London and focuses on the English as a Foreign Language class taught by Mr Jeremy Brown, portrayed by Barry Evans, who had to deal with a motley crew of foreign students. Three series were made by LWT between 1977–79, and the show was briefly revived in 1986 with six of the original cast.

Charlie is a struggling DJ and eternal bachelor, who’s given a final chance at success when he reluctantly becomes a manny to his famous best friend’s problem-child daughter.

A single-camera ensemble comedy following the lives of an eclectic group of detectives in a New York precinct, including one slacker who is forced to shape up when he gets a new boss.

Late-night series from artist Terence Nance featuring a mix of vérité documentary, musical performances, surrealist melodrama and humorous animation as a stream-of-consciousness response to the contemporary American mediascape.

Monstrous frights meet hilarious reveals on this hidden-camera prank show as real people become the stars of their own full-blown horror movie.

Dinner for Five is a television program in which actor/filmmaker Jon Favreau and a revolving guest list of celebrities eat, drink and talk about life on and off the set and swap stories about projects past and present. The program seats screen legends next to a variety of personalities from film, television, music and comedy, resulting in an unpredictable free-for-all. The program aired on the Independent Film Channel with Favreau the co-Executive Producer with Peter Billingsley.

The show format is a spontaneous, open forum for people in the entertainment community. The idea, originally conceived by Favreau, originated from a time when he went out to dinner with colleagues on a film location and exchanged filming anecdotes. Favreau said, “I thought it would be interesting to show people that side of the business”. He did not want to present them in a “sensationalized way [that] they’re presented in the press, but as normal people”. The format featured Favreau and four guests from the entertainment industry in a restaurant with no other diners. They ordered actual food from real menus and were served by authentic waiters. There were no cue cards or previous research on the participants that would have allowed him to orchestrate the conversation and the guests were allowed to talk about whatever they wanted. The show used five cameras with the operators using long lenses so that they could be at least ten feet away from the table and not intrude on the conversation or make the guests self-conscious. The conversations lasted until the film ran out. A 25-minutes episode would be edited from the two-hour dinner.