Luna leads a happy life in Mexico where she enjoys skating. Her life change overnight when a wealthy woman offers Luna’s parents a job in Argentina and also to pay an elite school for Luna. Luna and her family moves to Argentina. She should start a new life, makes new friends, but soon she discovers the Jam & Roller, a rollerskating club, where she can not only prove her talent on wheels, but also on the stage singing. And that’s not all, Luna is adopted and her parents have never kept her adoption a secret. However, Luna is suddenly overtaken by her past after moving to Argentina.

Pursued by intergalactic bounty hunters, the Critters return to Earth on a secret mission and encounter lovelorn high-schooler Christopher, his crush Dana, his best friend Charlie, and his mom Veronica, whose past will come back to bite them—literally.

Best friends Lizzy (gay and a bit type-A) and Luke (straight and more laid back) are like family. When they were kids and both of their parents were getting divorces, they stuck together, and they’ve been there for each other ever since. Now, all grown up and still single, they’ve decided to start a family of their own. No, not like that (there are some lines even they won’t cross) – we’re talking the non-romantic, go-to-the-doctor’s-office type of baby-making.

Then one night, after yet another failed attempt at conception, the two head out to a bar to let off some steam. That’s where Luke meets Prudence, a free-spirited British girl who’s slated to go back to England in a matter of days. Lizzy isn’t a huge fan – it might have something to do with Prudence waltzing around their apartment naked – but Luke really hits it off with her… and next thing he knows, they’re spending every last minute of her limited time together. But just as Lizzy discovers that she’s actually pregnant, Luke announces that he and Prudence got married. Ta-da! A different kind of family is born.

Plum Kettle, ghost-writer for the editor of one of New York’s hottest fashion magazines, struggles with self-image and sets out on a wildly complicated road to self-acceptance. At the same time, everyone is buzzing over news reports about men, accused of sexual abuse and assault, who are disappearing and meeting untimely, violent deaths.

Get Smart is an American comedy television series that satirizes the secret agent genre. Created by Mel Brooks with Buck Henry, the show stars Don Adams, Barbara Feldon, and Edward Platt. Henry said they created the show by request of Daniel Melnick, who was a partner, along with Leonard Stern and David Susskind, of the show’s production company, Talent Associates, to capitalize on “the two biggest things in the entertainment world today”—James Bond and Inspector Clouseau. Brooks said: “It’s an insane combination of James Bond and Mel Brooks comedy.” This is the only Mel Brooks production to feature a laugh track.

The success of the show eventually spawned the follow-up films The Nude Bomb and Get Smart, Again!, as well as a 1995 revival series and a 2008 film remake. In 2010, TV Guide ranked Get Smart’s opening title sequence at No. 2 on its list of TV’s Top 10 Credits Sequences, as selected by readers.

Tom and Louise meet in a pub immediately before their weekly marital therapy session. With each successive episode we piece together how their lives were, what drew them together and what has started to pull them apart.

A laugh-at-itself, satirical look at the late-night TV landscape, set behind the scenes of the fictitious talk show Nightcap With Jimmy.

A dark, edgy look at life as a Junior-Executive-in-Training at your average, soulless multinational corporation. Matt and Jake are at the mercy of a tyrannical CEO and his top lieutenants while navigating an ever-revolving series of disasters. Their only ally is Human Resources rep Grace.

This intergalactic adventure charts the outer space missions of young adventurer Miles Callisto and his family – mom and ship captain, Phoebe; mechanical engineer dad, Leo; tech-savvy big sister, Loretta; and robo-ostrich pet, Merc – as they help connect the universe on behalf of the Tomorrowland Transit Authority.

A hit man from the Midwest moves to Los Angeles and gets caught up in the city’s theatre arts scene.

Star Trek: Enterprise is a science fiction TV series and a prequel to the original Star Trek set 100 years before. The series premiered September 26, 2001 on the UPN television network with the final episode airing on May 13, 2005.

The series takes place in the 22nd century aboard Earth’s first warp 5 capable starship Enterprise NX-01 designed for long-range exploration of the galaxy and captained by Jonathan Archer. The NX designation indicates that this Enterprise is an experimental prototype.

Jerry takes his comedy pals out for coffee in a selection of his classic automobiles. Larry David sums it up best when he says, ‘You’ve finally made a show about nothing.’