F/X: The Series is a television series based on the film F/X, starring Cameron Daddo, Christina Cox, Kevin Dobson, Jacqueline Torres, Carrie-Anne Moss and Jason Blicker. It ran for 40 episodes from 1996 through 1998.

Much or all of the show was filmed in Toronto, Ontario, Canada. The opening sequence ended with a television crew in the foreground loading trucks, and an enormous advertisement for The Phantom of the Opera, of which a theatrical production was showing in Toronto at the time.

A group of heroic firefighters at Seattle Fire Station 19—from captain to newest recruit—risk their lives and hearts both in the line of duty and off the clock. These brave men and women are like family, literally and figuratively, and together they put their own lives in jeopardy as first responders to save the lives of others.

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“Stockholm: Lost Identity” narrates over 13 chapters with almost surgical detail the criminal, judicial and media research about the disappearance of a young woman by a network of trafficking. An attorney general, an undercover agent and a journalist will be immersed in a police plot that mixes suspense, drama and action where law and justice are two different sides of the same coin.

Oreki Houtarou is a minimalistic high school boy. One day, he joins the Classic Literature Club at his elder sister’s request. There he meets Chitanda Eru, Fukube Satoshi, and Ibara Mayaka. Chitanda is a calm beautiful girl but she turns into an embodiment of curiosity once she says, “I’m curious.” Fukube is a smiling boy with a fantastic memory who calls himself a database. Ibara is a short girl and is strict with others and herself. They begin to investigate a case that occurred 45 years ago. Hints of the mystery are buried in an old collection of works of the former members of Classics Club. The collection is titled “Hyouka.”

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Yoon Jung Ae raised her 4 kids by herself. Now, her kid already grown up but none of them really care about her.

Hill Street Blues is an American serial police drama that was first aired on NBC in 1981 and ran for 146 episodes on primetime into 1987. Chronicling the lives of the staff of a single police precinct in an unnamed American city, the show received critical acclaim and its production innovations influenced many subsequent dramatic television series produced in North America.

Magic Knight Rayearth is a Japanese manga series created by Clamp, an all-female manga artist team consisting of Satsuki Igarashi, Ageha Ohkawa, Tsubaki Nekoi and Mokona. Appearing as a serial in the manga magazine Nakayoshi from the November 1993 issue to the February 1995 issue, the chapters of Magic Knight Rayearth were collected into three bound volumes by Kodansha, and published from July 1994 to March 1995. A sequel was serialized in the same manga magazine from the March 1995 issue to the April 1996 issue, and was published by Kodansha in three bound volumes from to July 1995 to April 1996. The series follows three eighth-grade girls who find themselves transported from modern-day Japan into a magical world, where they are tasked with rescuing a princess.

Rayearth combines elements from the magical girl and mecha anime genres with parallel world fantasy. The manga was adapted into two anime series in 1994 and an original video animation in 1997.

In early 90s Boston, an African-American District Attorney comes in from Brooklyn advocating change and forms an unlikely alliance with a corrupt yet venerated FBI veteran invested in maintaining the status quo. Together they take on a family of armored car robbers from Charlestown in a case that grows to encompass and eventually upend Boston’s city-wide criminal justice system.

Former British soldier Jonathan Pine navigates the shadowy recesses of Whitehall and Washington where an unholy alliance operates between the intelligence community and the secret arms trade. To infiltrate the inner circle of lethal arms dealer Richard Onslow Roper, Pine must himself become a criminal.

Moscow in a not so distant future where human beings share their daily lives with robots. Georgy, a forensic who has a robot assistant, suddenly finds himself caught up in the first murder committed by a new kind of experimental humanoid.