David Slaney escapes from jail and attempts to hook up with his partner for one last deal, while evading the detective on his trail. Based on the novel by Lisa Moore.
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It debuted in 1983 as the two-part television miniseries V, written and directed by Johnson. It was followed in 1984 by a three-part miniseries, V: The Final Battle, and a one-hour weekly television series, V during the 1984-85 television season.
A number of novels, comic books, video games and other media have been spun off from the franchise. Johnson’s novel V: The Second Generation, an alternative sequel to the first miniseries which disregards V: The Final Battle and V: The Series, was released on February 5, 2008. Johnson claimed he was in negotiations for a TV adaptation of his sequel novel, but in October 2008, Warner Bros. Television announced they were producing a complete remake of V instead. This new V series ran for two truncated seasons on ABC, from November 3, 2009 to March 15, 2011.
The iron-fisted Akhandanand Tripathi is a millionaire carpet exporter and the mafia don of Mirzapur. His son, Munna, is an unworthy, power-hungry heir who will stop at nothing to inherit his father’s legacy. An incident at a wedding procession forces him to cross paths with Ramakant Pandit, an upstanding lawyer, and his sons, Guddu and Bablu. It snowballs into a game of ambition, power and greed that threatens the fabric of this lawless city.
A police inspector investigates the robbery of 66 safe deposit boxes at a private bank in Brussels.
Given superstrength and durability by a sabotaged experiment, a wrongly accused man escapes prison to become a superhero for hire.
An online community of amateur sleuths use technology to solve crimes — and make quirky friends — in their quest for justice.
The economic situation is a nightmare: only 20% of the population is employed. The Actives live inside the city. On the fringes, in the Zone, live the Jobless. Separating them is a wall.
Former police officer Robert and his wife Katy left city life behind them after Robert was injured, whilst trying to protect a witness in his care. The witness, Susan Reynolds was fatally shot. Robert has been struggling with the guilt he feels over the death of Susan. In a bid to put the past behind them, Robert and Katy now run a guest house, hidden away in the idyllic Lake District. A surprise visitor turns up, DCI Mark Maxwell, an ex-colleague and old friend. He suggests that the guest house is perfectly positioned to operate as a safe house, Robert is tempted but will Katy agree?
Driven by the fact that there are few things more dangerous than a prisoner who has just escaped, and tired of following protocol and resorting to outdated methods of law enforcement, veteran U.S. Marshals Charlie Duchamp and Ray Zancanelli are taking an unorthodox approach to their work: using former fugitives to catch fugitives.
The domestic adventures, misdeeds and everyday interactions of five families living on a cul-de-sac in a small California community.
When three working class kids enroll in the most exclusive school in Spain, the clash between the wealthy and the poor students leads to tragedy.
Spooks: Code 9 is a counter-intelligence drama series broadcast on BBC Three in 2008.
The series was commissioned by BBC Fiction’s controller Jane Tranter as a spin-off of their long-running drama Spooks, offering a “more maverick, younger perspective” that would attract a 16-24-year-old audience. The series follows a group of six new young MI5 recruits who “follow a different rule book”. It was produced by the independent production company Kudos and was filmed in and around Leeds and Bradford. The first two episodes were broadcast on BBC Three on 10 August 2008 and repeated on the same channel on 11 August 2008.
The decision to relate the new project to the original Spooks was controversial, with actor Georgia Moffett saying “it’s slightly misleading in terms of the word Spooks.” and producer Chris Fry saying “this is a completely new show. There are no crossover characters or storylines and, most importantly, it is set in a completely new world.” After the relatively unsuccessful first series, executive producer Karen Wilson claimed that many of the existing cast members were “contracted for another year” and outlined themes “we’d like to explore if we get a second series.”
