In 1951 New York poet Elizabeth Bishop travels to Rio de Janeiro to visit Mary, a college friend. The shy Elizabeth is overwhelmed by Brazilian sensuality. She is the antithesis to Mary’s dashing partner, architect Lota de Macedo Soares. Although frosty at first, the architect soon makes a play for Elizabeth and the poet finally succumbs to Lota’s advances. Mary is jealous, but unconventional Lota is determined to have both women at all costs. Their ménage à trois is thrown off balance when Lota starts work on her biggest project to date, designing Parque do Flamengo in Rio. Elizabeth accepts an academic teaching post in the USA and the women drift apart. Lota, at all other times brimming with self-confidence, is inconsolable. This eternal triangle plays out against the backdrop of the military coup of 1964. Bishop’s moving poems are at the core of a film which lushly illustrates a crucial phase in the life of this influential Pulitzer prize-winning poet

An old couple visit their children and grandchildren in the city, but the children have little time for them.

It’s South Africa 1990. Two major events are about to happen: The release of Nelson Mandela and, more importantly, it’s Spud Milton’s first year at an elite boys only private boarding school. John Milton is a boy from an ordinary background who wins a scholarship to a private school in Kwazulu-Natal, South Africa. Surrounded by boys with nicknames like Gecko, Rambo, Rain Man and Mad Dog, Spud has his hands full trying to adapt to his new home. Along the way Spud takes his first tentative steps along the path to manhood. (The path it seems could be a rather long road). Spud is an only child. He is cursed with parents from well beyond the lunatic fringe and a senile granny. His dad is a fervent anti-communist who is paranoid that the family domestic worker is running a shebeen from her room at the back of the family home. His mom is a free spirit and a teenager’s worst nightmare, whether it’s shopping for Spud’s underwear in the local supermarket

Emily Walters is an American widow living a peaceful, uneventful existence in the idyllic Hampstead Village of London, when she meets a local recluse, Donald Horner. For 17 years, Donald has lived—wildly yet peacefully—in a ramshackle hut near the edge of the forest. When Emily learns his home is the target of developers who will stop at nothing to remove him, saving Donald and his property becomes her personal mission. Despite his gruff exterior and polite refusals for help, Emily is drawn to him—as he is to her—and what begins as a charitable cause evolves into a relationship that will grow even as the bulldozers close in.

Bizarre black comedy about 15th-century Paris lawyer Richard Courtois (Firth) who decides to ply his trade in the country, only to find things stranger than he can imagine. His first case turns out to be defending a pig that’s accused of murdering a child. And the pig is owned by beautiful gypsy Samira (Annabi), so the idealistic lawyer can fall in love (or lust). There’s religion and superstition, there’s power struggles, there’s ignorance versus knowledge–things sound very modern indeed.

A groomsman must navigate a slew of disasters to maintain order at his best friend’s wedding reception.

Veronique is a beautiful young French woman who aspires to be a renowned singer; Weronika lives in Poland, has a similar career goal and looks identical to Veronique, though the two are not related. The film follows both women as they contend with the ups and downs of their individual lives, with Veronique embarking on an unusual romance with Alexandre Fabbri, a puppeteer who may be able to help her with her existential issues.

An intimate story of the enduring bond of friendship between two hard-living men, set against a sweeping backdrop: the American West, post-World War II, in its twilight. Pete and Big Boy are masters of the prairie, but ultimately face trickier terrain: the human heart.

Standing on the precipice of adulthood, a group of friends navigate new relationships, while reexamining others, during their final summer before college.

A talking pig named Gordy becomes involved in a quest to save his family from the slaughterhouse.

Rebellious footballer Johnny, falls for cheerleader Tracy. They come from opposite backrounds; she’s from a comfortable well off family, his is poor and broken. Tracy already has a boyfriend but he acts like a jerk, so Johnny has to win Tracy’s heart – something she seems reluctant to let him do.

After a blow to the head, Abby decides she can’t do it anymore. Her life just can’t be only about the house, the kids and the wife. She needs more: she needs to be Eleanor.