A young governess, Ann, is sent to a country house to take care of two orphans, Miles and Flora. Soon after her arrival, Miles is expelled from boarding school. Although charmed by her young charge, she secretly fears there are ominous reasons behind his expulsion. With Miles back at home, the governess starts noticing ethereal figures roaming the estate’s grounds. Desperate to learn more about these sinister sightings she discovers that the suspicious circumstances surrounding the death of her predecessor hold grim implications for herself. As she becomes increasingly fearful that malevolent forces are stalking the children the governess is determined to save them, risking herself and her sanity in the process.
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Industrial Animals is a very small film in almost every measurable metric. Weighing in at roughly 61 minutes, this low budget, found footage film from the UK features a cast of just three people who also cover many of the behind the scenes credits as well. In fact, the entire story takes place over a three-day span, mostly in one simple setting. But while all of the factors add up to a “small” film, when all is said and done, Industrial Animals ends up packing a fairly strong and somewhat unexpected punch.
Molly McKay is a profoundly autistic twenty-something woman who has lived in an institution from a young age following her parents’ death in a car accident. When the institution must close due budget cuts, Molly is left in the charge of her neurotypical, older brother, Buck McKay, an advertising executive and perennial bachelor. Buck allows her to undergo an experimental medical treatment, with unexpectedly drastic results.
