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In this direct-to-video sequel to Pokémon: The First Movie, Ash, Misty, and Brock continue exploring the Johto region, then have to rescue Pikachu after Jessie and James of Team Rocket kidnap him. The search leads them to the hidden plateau where Mewtwo has established a haven for the cloned Pokémon from the previous film. The evil Giovanni is plotting to recapture Mewtwo and renew his efforts to create an army of bio-engineered Pokémon. Aided by the reluctant Meowth, Ash and his friends defeat Giovanni and his henchman.
It’s 1348. The plague has brutally hit Florence. A group of then young people, seven women and three men, rebel against the feeling of death that is about to swallow them. They flee the city and find refuge in an abandoned villa in the Tuscan hills. Here, between moral doubts and the tasks needed to survive, they kill time by telling each other stories until they will decide to return. The stories are varied – tragic, bizarre, funny or erotic – but common and central to all of them is the female presence.
Brokeback Mountain is an Ang Lee film about two modern day cowboys who meet on a shepherding job in the summer of ’63. The two share a raw and powerful summer together that turns into a life long relationship conflicting with the lives they are supposed to live.
Bong-yong Kim is one of a modest Korean dad who struggles to survive from the work place without any time to get along with his family. He has to work over than he had to, since the boss treat him like his servant – drink late every night, drive the boss to his home. His wife, Hwayeon, blames him for his indifference to family, and twins in puberty, Woo-joo and Dal-nim, also in trouble with their father. The late child ‘Byeol-nim’ is his only one who acts charm and shows cuteness to him..
MY LAST LOVE, when every family member starts to share with caring each other at last…
A fantastical re-imagining of the events of 1979, when Monty Python made Life of Brian and the debate about what is an acceptable subject for comedy was blown wide open.
The second film from Aarón Fernández is a Spain-Mexico-France co-production already screened as part of Films in Progress at the 60th edition of the Festival. On the desolate coast of Veracruz, young Sebastián, 17, has to run his uncle’s motel single-handed, renting rooms by the hour. That’s how he meets Miranda, a regular customer who goes there to wait for a lover who often arrives late, sparking a fleeting game of seduction between the two.
Toshio hires Yasaka to work in his workshop. But then this old acquaintance, who has just been released from prison, begins to meddle in Toshio’s family life…
An other-worldly story, set against the backdrop of Cold War era America circa 1962, where a mute janitor working at a lab falls in love with an amphibious man being held captive there and devises a plan to help him escape.
An intimate journey of a 37-year-old Cristina, as fate brings to her life both a new love and an unbeatable challenge. Determined to pass on a message of hope and a ‘live in the now’ mentality, Cristina’s second cancer takes a toll on her diminishing body, however her love for Bruce only grows. Bruce stands by her side while juggling work and financial strains. The film follows Cristina’s journey into her deep AMOUR, one that supports and lifts her up. If she had to choose between finding this deep and pure love and having cancer, or being cancer free but never experiencing true love… what would she choose? Her shocking answers are captured by veteran filmmaker Michèle Ohayon on camera.
