Carmen’s caught in a virtual reality game designed by the Kids’ new nemesis, the Toymaker (Stallone). It’s up to Juni to save his sister, and ultimately the world.
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It’s a dreary Christmas 1944 for the American POWs in Stalag 17. For the men in Barracks 4, all sergeants, have to deal with a grave problem – there seems to be a security leak. The Germans always seem to be forewarned about escapes and in the most recent attempt the two men, Manfredi and Johnson, walked straight into a trap and were killed. For some in Barracks 4, especially the loud-mouthed Duke, the leaker is obvious: J.J. Sefton, a wheeler-dealer who doesn’t hesitate to trade with the guards and who has acquired goods and privileges that no other prisoner seems to have. Sefton denies giving the Germans any information and makes it quite clear that he has no intention of ever trying to escape. He plans to ride out the war in what little comfort he can arrange, but it doesn’t extend to spying for the Germans.
Six people are thrown together during an elaborate bank heist where any move can alter the outcome. Is it coincidence, or are they merely pawns in a much bigger game.
When an archaeological expedition opens an ancient Egyptian tomb, the unimaginable evil of a cursed pharaoh is unleashed.
After spending eight months in a mental institution, a former teacher moves back in with his parents and tries to reconcile with his ex-wife.
All hilarity breaks loose in this heartwarming coming-of-age comedy when three generations of Fiedlers collide in a crazy family reunion. As they prepare for the biggest Bar Mitzvah on the block, they begin to see that they’re much more alike than they’d originally thought.
A raunchy Vampire Musical. The sexy-violent musical is full of hot dancing, drug addled nymphettes, existential zombies and gallons of blood. A Zappa Zombie trying to kill a Backstreet Boy Vampire…no really.
Yamakasi – Les samouraïs des temps modernes is a 2001 French movie written by Luc Besson. It demonstrates the skills of the Yamakasi, a group of traceurs who battle against injustice in the Paris ghetto. They use parkour to steal from the rich in order to pay off medical bills for a kid injured copying their techniques.
In the 1970s, a foundling lad, Patrick “Kitten” Braden, comes of age by leaving his Irish town for London, in part to look for his mother and in part because his trans-gender nature is beyond the town’s understanding.