Eun-joo moves out of her house “Il Mare”, leaving behind a Christmas card for the eventual new owner of the house in 1999. In it she asks him/her to forward any mail of hers to her new address in the city. It is 1997 and Sung-hyun, the first owner of “Il Mare” is moving in and finds in his mailbox the Christmas card from Eun-joo. Thinking it was a joke, Sung-hyun leaves her a letter telling her so and reminds her that its 1997 not 1999. Eventually the two realize that they are separated by two years of time but can somehow communicate through the mailbox and begin to form a friendship through their letters.
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Gemma and Will are shattered when their son dies in an accident. Gemma blames herself and starts to have panic attacks that affect her eyesight – and the audience’s point of view. Will, tormented, believes he is hearing his son’s voice calling out to him. To escape their grief, Gemma suggests they take up Paul’s offer to stay at his Lake District country getaway. Gemma’s, helped by ex-pharmacist Paul, tries to stop her panic attacks with medication. Will, unable to hear to his son in his bedroom back home, antagonizes Paul and suddenly goes home. Gemma is now reliant on Paul who appears to be developing genuine feelings for her welfare. Love, grief, and the frailty of the human condition are all brought to the fore as Gemma Will and Paul are caught up in a descent into violence, both psychological and ultimately physical.
Under a powerful Mayan curse, snakes are hatched inside a young woman, slowly devouring her from within. Her only chance for survival is a powerful shaman who lives across the border. With only hours to live, she jumps on a train headed for Los Angeles. Unfortunately for the passengers aboard, they are now trapped, soon to be victims of these flesh-eating vipers.
A director with two weeks left on his latest production fakes an ulcer to pursue a romance with his lead actress.
Trying to recover from the nearly marriage-breaking stress following the death of their child, Jack (Reynaldo Rosales) and Stephanie (Heidi Dippold) spontaneously take off on a road trip. But when their car breaks down in a remote area, they find themselves in a horrific nightmare. Seeking shelter in a house, they soon realize that more danger lurks inside than outside in this spine-chiller based on Ted Dekker and Frank Peretti’s best-seller.
A cyclist is killed, swiped by a Range Rover in a village lane. James and Anne Manning become involved because the victim is the husband of their cleaner, Maggie. James, a solicitor in the city, soon comes to suspect William Bule, a millionaire playboy who has moved back to the village. William, pressed by James, confesses to the hit and run. But the confession is clouded by Anne’s admission of her affair with William.
The Dunderheads are an eccentric Montana family who’ve been in the mountains for far too long. Now one step ahead of the law, matriarch Grandma Ira flees to Canada with her two wildly dysfunctional teenage grand kids, across the American West into a comic collision with the mainstream world. Montana Amazon is a both funny and poignant fable on the nature of the human family.
Iremar is part of a rodeo troupe that tours the Brazilian northeast. His task is to send bulls into the arena. Intensely exciting physical scenes alternate with contemplative episodes that sketch a painterly portrait of the members of the troupe. Sublime images, which alternate with a less idyllic reality: the hard work amidst the cows. Jointly they form a fabulous choreography, against the background of a rapidly changing society.
Sent into a drunken tailspin when his entire unit is killed by a gang of thrill-seeking punks, disgraced Hong Kong police inspector Wing (Jackie Chan) needs help from his new rookie partner, with a troubled past of his own, to climb out of the bottle and track down the gang and its ruthless leader.
Storyline: In the summer of 1683, 300 000 Ottoman Empire’s warriors begin the siege of Vienna. City’s fall, will open way to conquer the Europe. The Sept 11 is the day of main battle between Polish cavalry under the King Jan III Sobieski and Turks.
The concept of an elevator to space is not new. In the world of Arthur C. Clarke, it is a natural progression. What most people don’t know is that men and women around the world are working hard to build it right this moment. Some want to solve the energy crisis, some want easier access to raw materials in the solar system, and some just want to travel to space and gaze upon their home planet. For all of them though, the elevator is more than just a science fiction plot, it is a way of life. Discover what happens when egos and passions collide in a quest to build the impossible.