When his girlfriend visits him during winter break, an agoraphobic twentysomething begins to suspect that his house is haunted.
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Traveling Route 66, a charismatic preacher, Reverend Johnny Jones, and his seductively beautiful Latina girlfriend, Rebecca, find their lives spiraling out of control as they travel from small town to small town; running their scam on the churches they encounter along the mother road. He’s able to convince people he has the power to heal their illnesses and solve their most dreadful life experiences. But what the couple think is their scam begs the question does he really have the power? It’s a question that haunts him and only intensifies his inner demons. Scarred for life, his childhood abuse from his evil father won’t soon go away. He finds temporary refuge at the bottom of each bottle of tequila and endless grams of cocaine that goes up his nose. His childhood demons will not subside, neither will his vices. In the end, his powers serve as a blessing and a curse. Hang on tight while we follow this perilous couple’s journey into the abyss of miracles and tragedy.
Frankie is head strong and passionate about her rock band and her Italian-American heritage. She is engaged to a good Italian man, and everything in her life is in order until she discovers a murder victim in the trunk of her rental car. Heather, her sister, convinces Frankie to attend the funeral where they meet Nicolette, the daughter of the new Brooklyn mafia don. When Nicolette shows up at a gig, it triggers a cascade of events that take Frankie towards an unexpected romance.
John, a white-collar family man, finds his life turned upside down when he hits a man on his way home from work. He takes the body home to his garage, convinced that he can cover up the accident. But before he has a chance to bury the body, the man wakes up. Mack, the victim, forms and unlikely bond with John but this bond is short lived.
Jamie (Taylor Olson) works a wood processor, clear-cutting for pulp in small-town Nova Scotia. At the end of each shift, he walks through the destruction he has created looking for injured animals and rescues those he can. Adapted from a play by Nova Scotian author Catherine Banks, Bone Cage is an impressive first feature from Halifax actor/filmmaker Taylor Olson that sensitively excavates the tragedy of how young people in rural communities, employed in the destruction of their environment, treat the people they love at the end of their shift.
Escaping death, a Hebrew infant is raised in a royal household to become a prince. Upon discovery of his true heritage, Moses embarks on a personal quest to reclaim his destiny as the leader and liberator of the Hebrew people.
A shipping disaster in the 19th Century has stranded a man and woman in the wilds of Africa. The lady is pregnant, and gives birth to a son in their tree house. Soon after, a family of apes stumble across the house and in the ensuing panic, both parents are killed. A female ape takes the tiny boy as a replacement for her own dead infant, and raises him as her son. Twenty years later, Captain Phillippe D’Arnot discovers the man who thinks he is an ape. Evidence in the tree house leads him to believe that he is the direct descendant of the Earl of Greystoke, and thus takes it upon himself to return the man to civilization.
Freshly arrived Sandhurst-trained Captain Alan King, better versed in Pashtun then any of the veterans and born locally as army brat, survives an attack on his escort to his Northwest Frontier province garrison near the Khyber pass because of Ahmed, a native Afridi deserter from the Muslim fanatic rebel Karram Khan’s forces. As soon as his fellow officers learn his mother was a native Muslim which got his parents disowned even by their own families, he falls prey to stubborn prejudiced discrimination, Lieutenant Geoffrey Heath even moves out of their quarters, except from half-Irish Lt. Ben Baird.
I’m Still Here is a portrayal of a tumultuous year in the life of actor Joaquin Phoenix. With remarkable access, the film follows the Oscar-nominee as he announces his retirement from a successful film career in the fall of 2008 and sets off to reinvent himself as a hip-hop musician. The film is a portrait of an artist at a crossroads and explores notions of courage and creative reinvention, as well as the ramifications of a life spent in the public eye.
