After a car crash, a criminal psychologist (Halle Berry) comes to, only to find that she’s a patient in the same mental institution that currently employs her. It seems she’s been accused of murdering her husband — but she has no memory of committing the crime. As she tries to regain her memory and convince her co-workers of her innocence, a vengeful spirit uses her as an earthly pawn, which further convinces everyone of her guilt.
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The mastermind behind a ubiquitous spy operation learns of a dangerous romance between a Russian lady in his employ and a dashing agent from the government’s secret service.
Grace Rhodes, who is studying to be a doctor, returns to her hometown as a strange illness is afflicting the local children. The symptoms include a high fever and spasms, but even weirder is what happens the next day: All those with the illness claim they are somebody else — then they begin murdering the grown-ups. After her sister undergoes the same sinister metamorphosis, Grace comes to believe there is some connection to an evil cult figure who may be returning from the grave.
Money. Sex. Power. They’re all a part of My Boo, the latest terrifying, sizzling, action-packed erotic thriller from acclaimed filmmaker and multi-media artist Erica D Hayes. When a mysterious stranger (Revon Yousif) moves to Detroit to get a new lease on life, he receives a warm welcome from his new neighbor across the hall (Ashlee McLemore). But what she doesn’t realize is that he is actually an old classmate with a chip on his shoulder, and his arrival sets off a deadly game of obsession and seduction. She begins to receive strange, threatening phone calls and finds hidden cameras throughout her apartment, and discovers that someone is watching—a voyeur who knows her most intimate secrets and deepest desires. As she gets closer and closer to this disturbing revelation, secrets about her own dark past are awakened, and as the danger mounts and begins to threaten those around her, she comes to the realization that… some high school crushes never die.
Detective Michael Tabb knows the city of St. Louis inside and out. He has felt its true heart, as much as its dark underbelly: but he does not know who, in both the dark and light – is taking the lives of young girls.
Cassie, a 13 year old Gothic girl, is trying to fit in at her new school. To entertain herself, she plays a series of pranks on the popular kids and her younger brother, Max. When she goes to a Halloween store looking for new tricks, she finds a little book called “The Evil Thing”
A cop goes up against his lifelong friend, who has become one of the city’s biggest drug traffickers.
Haylee, a local EMT suffering from PTSD, spends her days making split second decisions with lives that hang in the balance. One night on a routine call, she is faced with a moral decision, taking matters into her own hands and mercy kills a young woman. Her decision opens a pandora’s box that leads Haylee to blur the lines of her job responsibilities and wanting to help those in need. Now, falling deeper and deeper into a rabbit hole, she gets caught up in a world of underground drugs and a sadistic killer who’s made her his next victim.
Henry Adler lives in Ontario by himself, regularly visits his gruff and critical father, and works in a bank; he’s also an actor. He finds new purpose in life when he’s cast as a cop in a realistic TV show. He gets into the part, borrowing the uniform from wardrobe, and walking around the city streets. Soon he’s talking to bank customers as if he’s a cop; this gets him in trouble with his boss, but Henry doesn’t care. He falls for one of the actresses, Charlie, and they practice together. Henry’s quirks and his intensity creep her out, though, and she breaks off all contact. He’s desolate. Things come to a head when one of LA’s finest mistakes Henry for a real cop.
Farmer Vincent kidnaps unsuspecting travellers and is burying them in his garden. Unfortunately for his victims, they are not dead. He feeds his victims to prepare them for his roadside stand. His motto is: It takes all kinds of critters…to make Farmer Vincents fritters. The movie is gory, but is also a parody of slasher movies like Last House on the Left.
