Goliyon Ki Raasleela Ram-Leela is an adaptation of Shakespeare’s Romeo and Juliet, set in violent times.
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A woman who has a funny bone for a backbone, Funny Cow charts the rise of a female stand-up comic who delivers tragedy and comedy in equal measure in the sometimes violent and always macho clubs of Northern England in the ’70s.
Mwas, a young aspiring actor from upcountry Kenya dreams of becoming an accomplished actor one day, and in pursuit of this, he makes his way to Nairobi, the city of opportunity. He quickly understands why Nairobi is nicknamed Nairrobery as he is bereaved of all his money and belongings and left alone in a city where he doesn’t know a soul. Luck or the lack of it brings Mwas face to face with the city’s criminals and forms a friendship with a small time crook who takes him in. He is quickly drawn into a world of crime as he struggles to pursue his dream of becoming an actor. Keeping the two worlds separate proves to be a challenge for Mwas as he steps into this unknown world called Nairobi.
Follow two estranged best friends on an epic, life-changing adventure in Thailand as they’re reminded that there’s no problem that friendship and a few rounds in a Muay Thai boxing ring can’t fix.
Jun is a girl whose words have been sealed away so that she cannot hurt anyone with them. But, one day, she is nominated to become an executive member of the “community outreach council.” On top of that, Jun is also appointed to play the main lead in their musical…
An exotically beautiful Sotho actress, Kedibone Manamela, chooses to live her youth on the fast lane. Veiled from her loyal childhood boyfriend’s eyes, she bounces between being a good girl in the township and the ‘it’ girl on the high end of Johannesburg streets. A dark threat looms over the day when the news of Kedibone’s escapades reaches the young man.
In 1994, on the first day that Yoo Yeul went on air as the new DJ of the popular radio show ‘Music Album,’ a college girl Mi-su meets Hyun-woo who happens to drop by the bakery she works at. Like the music streaming from the radio, their frequencies slowly come in sync; even when they’re apart, the show brings them together through ebbs and flows of events arising from both pure coincidence and inevitability, until the bitter reality sets in and drives them apart…
Air Force Major Lloyd Gruver (Marlon Brando) is reassigned to a Japanese air base, and is confronted with US racial prejudice against the Japanese people. The issue is compounded because a number of the soldiers become romantically involved with Japanese women, in defiance of US military policy. Ordinarily an officer who is by-the-book, Gruver must take a position when a buddy of his, an enlisted man Joe Kelly (Red Buttons) falls in love with a Japanese woman Katsumi (Miyoshi Umeki) and marries her. Gruver risks his position by serving as best man at the wedding ceremony.
During preparation for Christmas baby Rose Wilder is kidnapped by the woman who recently lost her child. Looking for her Laura, Almanzo and Mr Edwards meet lonely orphan boy, who finally stays with that woman.
After Eric and Chloe’s breaking up, something happens in their lifes.
Do directors have any sense? Are they employing teenagers to do the background sounds? This is NOT a Walt Disney Animation where one needs sounds because no one actually speaks in the movie! I felt like I was watching Fantasia! I can hardly make out the voices of the actors due to the racket of the sound track which really should be faint and in the background! This feature is pretty bad, but it’s not the only movie which has overbearing background “music”! When one watches movies made in the 50s, 60s, 70s even 80s at least we can hear the spoken words! Now if not for the “realistic” traffic noises in a street/outdoor scene where there is indistinguishable dialogue, the majority of the presentation is drowned in excessively loud music! OK, I am not a young kid with perfect hearing, but I am not deaf! As for the movie, very predictable.