Set six months after a deadly outbreak has all but ended the human race, a man and woman have survived by isolating themselves in a remote cabin and never opening the door. Now they don’t have a choice. Starved for resources, they must confront the horrors that threaten them… but what’s inside may be even more toxic than what remains outside. When it all ends, this is what remains.
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Takatoshi Minamiyama (Sota Fukushi) majors in art at an university in Kyoto. On the train to the school, he sees Emi Fukuju (Nana Komatsu) and falls in love with her at first sight. Gathering up all his courage, he speaks to her. They begin to date and enjoy happy days together, but Emi reveals her secret to him.
A researcher at Chicago’s Natural History Museum returns from South America with some crates containing his findings. When the crates arrive at the museum without the owner there appears to be very little inside. However, police discover gruesome murders on the cargo ship that brought the crates to the US and then another murder in the museum itself.
Lawyer Stephen Blume, specialized in divorces, lives a paradoxical situation when, having his own marriage break up, is still in love with his ex-wife.
Gedorge Segal plays a divorce lawyer who is divorced himself after his wife (Susan Anspach) catches him cheating on her. She, in turn, moves on and falls into an easy-going relationship with an even more easy-going musician (Kris Kristofferson in one of his first film roles). But Blume chooses this moment to fall back in love with his ex-wife (Marsha Mason) and begins to woo her anew.
Raj is a rich, carefree, happy-go-lucky second generation NRI. Simran is the daughter of Chaudhary Baldev Singh, who in spite of being an NRI is very strict about adherence to Indian values. Simran has left for India to be married to her childhood fiancé. Raj leaves for India with a mission at his hands, to claim his lady love under the noses of her whole family. Thus begins a saga.
The lives of a nightclub owner, a crime boss, a stripper, a bartender, two hitmen, a prostitute and a psychic take a turn for the worse when they are trapped in an escaped mental patient’s sinister path of madness and destruction.
Bitte Andersson’s debut feature »Dyke Hard« is a wild John Waters-inspired queer comedy following a lesbian rock band’s violent adventures back in 1986. Dyke Hard is a failed rock group travelling to a battle of the bands competition in the big city. The journey is further filled with bizarre, fierce and passionate encounters with cyborgs, ghosts, a thai boxer, roller derby gals, ninjas, motorcycle gangs and a mysterious billionaire all of whom will do everything to stop the band from making it in time to the battle.
She drove me into a corner, then forced me to go beyond my limits. She made me confront the absolute: love, sacrifice, tenderness, abandonment. She dislocated me, transformed me. Why didn’t anyone warn me? Why doesn’t anyone ever talk about this?” Un heureux événement, or an intimate view of motherhood, sincere and with no taboos.
A dog that helped soldiers in Afghanistan returns to the U.S. and is adopted by his handler’s family after suffering a traumatic experience.
After an attempted assassination on Ambassador Han, Inspector Lee and Detective Carter are back in action as they head to Paris to protect a French woman with knowledge of the Triads’ secret leaders. Lee also holds secret meetings with a United Nations authority, but his personal struggles with a Chinese criminal mastermind named Kenji, which reveals that it’s Lee’s long-lost…brother.
Holy Hell is the over-the-top, outrageous, sexually-deviant, blood-drenched story of Father Augustus Bane: a priest pushed too far who begins praying to a revolver and hunting down the gangsters who killed his parishioners. In the vein of recent alternative horror/comedies like “Machete” and “Hobo with a Shotgun”, HOLY HELL is a modern take on 60’s and 70’s B-Movie and Exploitation film tropes. The goal of this feature length movie is to break through every limit set by film, taste and reasonable societal behavior: all with anarchic glee.
How did Sarah and Victor get along for more than 45 years? Who was really this enigmatic woman living in the shadow of her husband? Love and ambition, betrayals and secrets nourish this odyssey of an extraordinary couple, crossing with us small and great history of the last century.
