Troy Donahue
Life in the small town of Grandview, Illinois is one that is just like any other city or town. Tim Pearson, soon to be graduating high school wants to go to Florida to study oceanography. He meets Michelle “Mike” Cody and is attracted to her. She runs the local Demolition Derby place. Ernie “Slam” Webster is one of the drivers in the derby who’s wife is cheating on him and wants to later on be with Mike. Tim falls for Mike and a big love triangle is about to happen.
This movie is a great compilation of the very silliest clips from some of the most awful “bimbo movies” of the past twenty years. It is laughably cheap. The only things added are some subtitles, dubing, and music. Made up from such fine films as “Assault of the Killer Bimbos”. They are stringed together to form a “plot” about aliens. Lots of pointless nudity, but it is somewhat well-paced. Stay for the final credits, which the narrator narrates.
Martin is a total loser, who nobody cares for. When he fails to get a position as guitar player in Lindsay’s band and loses his job on the way, he makes a deal with a Voodoo priestess. She promises him the fulfillment of all his dreams if he swears obedience to her. He becomes a rock star and has many women – but to stay alive, he has to kill other people.
A prim and proper schoolgirl goes against her mother’s wishes when she dates a motorcycle-riding juvenile delinquent.
A group of sadistic mercenaries led by Col. John Hogan kidnap Michael Danton from his home, and set him loose on the grounds of their secret camp to be used as training for new recruits. Danton has been called the “most perfect killer ever.” Now, he’ll have to prove it again. This prey has become DEADLY!
Lora Meredith, a white single mother who dreams of being on Broadway, has a chance encounter with Annie Johnson, a black widow. Annie becomes the caretaker of Lora’s daughter, Suzie, while Lora pursues her stage career. Both women deal with the difficulties of motherhood: Lora’s thirst for fame threatens her relationship with Suzie, while Annie’s light-skinned daughter, Sarah Jane, struggles with her African-American identity.