In a rest home for elderly people, a daughter reads her mother’s diary. Soon events that are mentioned in the mother’s diary begin to happen to the daughter.

It is New Year’s weekend and the friends of Peter (Fry) gather at his newly inherited country house. Ten years ago, they all acted together in a Cambridge University student comedy troupe, but it’s less clear how much they have in common now.Peter’s friends are Andrew (Branagh), now a writer in Hollywood; married jingle writers Roger (Laurie) and Mary (Staunton); glamorous costume designer Sarah (Emmanuel); and eccentric Maggie (Thompson), who works in publishing. Cast in sharp relief to the university chums are Carol (Rudner), the American TV star wife of Andrew; and loutish Brian (Slattery), Sarah’s very recently acquired lover. Law plays Peter’s disapproving housekeeper, Vera; and Lowe, her son Paul. Briers appears in a cameo role as Peter’s father.

Nazi skinheads in Melbourne take out their anger on local Vietnamese, who are seen as threatening racial purity. Finally the Vietnamese have had enough and confront the skinheads in an all-out confrontation, sending the skinheads running. A woman who is prone to epileptic seizures joins the skins’ merry band, and helps them on their run from justice, but is her affliction also a sign of impurity?

While dabbling in Satanism, Count Karstein resurrects Mircalla Karnstein who initiates him into vampirism. As a rash of deaths afflicts the village, Gustav the head of Puritan group leads his men to seek out and destroy the pestilence. One of his twin nieces has become inflicted with the witchcraft but Gustav’s zeal and venom has trapped the innocent Maria, threatening her with a tortuous execution, whilst Frieda remains free to continue her orgy of evil.

In the future, an oppressive government maintains control of public opinion by outlawing literature and maintaining a group of enforcers known as “firemen” to perform the necessary book burnings. Fireman Montag begins to question the morality of his vocation. Curious about the world of books, he soon falls in love with a beautiful young member of a pro-literature underground – and with literature itself.

A beautiful but amoral model sleeps her way to the top of the London fashion scene at the height of the Swinging Sixties.

Hugo is a brilliant turn-of-the-century scientist, loved and respected by his family and friends, admired by his colleagues. But he is a man quickly becoming obsessed with a curious and frightening question… what is the mysterious apparition found in the photographs of his dying subjects?